A tree ‘wrap’ I am currently working on. The ‘wrap’ is approximately one metre by two metres and sculpted out of corrugated cardboard. I am intending to fix it to a net backing (to prevent it falling apart – it’s a bit delicate!) before wrapping it around a suitable tree. Ideally, it would be fabricated in metal, but a lack of funding means this is not possible at the moment.
Latest addition to there Modern-Day Green man series – made from a discarded Guinness can. Note the ring-pull eyes!
Further exploration into bringing ancient forms and symbols into a modern setting – the Green Man, ancient symbol of fertility, fabricated out of an old coke can and ‘metalised’ cardboard. The concepts are relevant to every society, ancient or modern and, as such, I am attempting to bring them up-to-date.
Completed Green Man carving with all faces intertwined. During the making, it became apparent that it might serve as a tea light holder – a welcome addition to any Pagan altar?
Word-tower: Play, Skip, Leap, Jump, Rest
Words of playfulness and wellbeing, again intentionally made in a geometric font, apart from “Rest” which is the bottom form, in a softer font (though unfortunately hidden amongst the undergrowth) and acting as the foundation for all the others. As with the previous piece, “Statistics Manipulate Truths”, I wanted the word-tower to be something that might be ‘discovered’ perhaps by people walking their dog, or just out for a stroll.
Two sides completed in the wood carving project – the block is a 75mm cube of limewood and has been carved with a mixture of hand tools and power tools. It is still a bit rough but getting there.
Initial sketch made of a ‘Green Man’ (also known as ‘Jack ‘o’ Lantern’) probably to be used on a carved wood structure to house tealights. The design uses elements from sketches I made of wooden stumps, swirls and patterns from ancient stone carvings and some traditional carved stones found on many old churches.
“Statistics Manipulate Truths” – large cardboard sculptures placed in a natural setting. The white, geometric, clinical shapes juxtaposed with the unruly, wildness of nature. Nature fights back and will always win… More natural setting to follow.
Continuing the theme of boxes showing letters and words, I have been trying to ‘soften’ up the font to be more appropriate for the word definitions. Words such as ‘joyful’ and ‘gentleness’ need to be less geometric in their design. However, a box with the letters cut out isn’t robust enough so I have decided to mock up a box with the letters ‘carved’ into the faces. This will be developed using wooden blocks and letters standing proud from the background.
Wood Doodling – all carving finished, sanded, stained (rosewood) and varnished. Placed “in situ” on a background made from varying shades of denim.