For my next image in the ‘Shouting at The World’ series, I have combined two of the gargoyles/grotesques I found on the churches in Lincolnshire, with a Sheela-na-gig found on The Church of St Mary and St David, in Kilpeck, Herefordshire. Having spent quite a lot of time working with various images of the Green Man, I felt it was time to redress the balance somewhat and feature this ancient, scared female form which can be found, in various forms, throughout the world.
A project conceived some time ago, I finally got around to printing this image as a greeting card, complete with hand-cut type. The design is a lino-cut based as closely as possible on the patterns created by inking up an origami face – seen in an earlier post. I have been asked if anyone would want a card that says ‘Shout!’ but I think it is appropriate for any occasion: shout “Hurray it’s your birthday!”, shout “Congratulations on your new job”, shout “It’s a Boy!” and so on – the possibilities are endless, it just depends what message you choose to write inside.
The Machrie Moor Standing Stones on the Isle of Arran, are some of the most beautifully placed stones I have ever seen. They are at one with the landscape, their shapes echoing the surrounding hills perfectly. I have wanted to represent them in print for some time.
This piece was completed using a technique that is new to me – lino printing in a ‘jigsaw’ style of working. The original in-field sketch was painted using water colours, then transferred to soft-cut lino. I cut the block into several sections, inking them up and printing them in separate colours at the same time. This continued with further cuts being made before cutting the final outline block to tie everything together.
Having taken the photographs of the various Lincolnshire Grotesques, I chose three that I felt were most appropriate to the theme of ‘Shouting at The World’ and drew them as a group. The feature that struck me most when I first saw them in situ, was how often the figures are depicted holding their mouths wide open. I exaggerated this by having one of them holding open another’s mouth. The lino prints were a three-colour image, the second layer being drawn into so as to allow the first layer to show through with some degree of texture. The final, detailed layer was intentionally fairly rough-cut, in keeping with the old, often crumbling nature of the figures.
I do feel I am now tying up a few loose ends with the Green Man theme. I am really happy with the way the digital drawings turned out, but still need to complete a Lino-cut I started some time ago. Whilst undoubtedly it will not match the precision of the digital work, it will have a certain “workman-like” quality to it, with all the little flaws and imperfections that a “real” print has. I’m pleased with it so far – let’s see how it turns out!
Having seen some of my prints scanned and enlarged, I wasn’t entirely happy with the original Lino cut so decided to recut it with a bit more detail. This one I am much happier with.
Having printed a rectangular version of my original Green Man drawing, I returned to the basic face shape, cutting a new lino block with a view to printing a triptych version. The colours used are blue, green and red (with a black, green and red version also available) for no other reason than those are the only colours of ink I currently have left!
To celebrate the first birthday of a very special little girl (my first grand daughter) I created this print. It is from an original, observational drawing I made of a rose, planted in our garden shortly before Rosie was born.
I decided to return to the original drawing I made of a Green Man and use it for a Lino print. Having printed it onto paper, I again tried it on a t-shirt where I think it looks good. The ones seen here are red on white for a child-size shirt and black on khaki for an adult sized shirt.
Using a Lino block and the ‘reduction’ technique, these are the completed Drop Box design on a t-shirt.