Whilst it might seem to some that this print goes against my self-imposed remit of “Contrasts and Anomalies”, the very fact that it is not obviously in keeping with my other work is actually a contrast! However, I would maintain that a black cat easily falls in with my other work, in that it is often the subject of other-worldly superstition and legend, much like the Green Man figure. The picture is of our own cat, appropriately named Salem, and she does look in a somewhat sombre mood. The registration isn’t perfect and I am intending to hand paint the eyes next week, but I’m pretty pleased with how it’s turned out. It is printed on 7×5″ cards and on a limited run of A4 Hoshi paper. They are for sale, please get in touch – through my Instagram page (@grooveware_art) is probably the easiest way, as I haven’t got around to setting up a shop yet. I will soon.
In an effort to redress the balance somewhat, I have carved and printed my version of a Green Woman, or Mother Nature. The idea is that the face is seen in a tree branch, surrounded by foliage. I have printed this image on white A6 cards and on brown, recycled paper. I am planning on reprinting the image but with a background texture, printed from a highly grained piece of wood.
Due to circumstances often beyond my control, I have been almost frantically cutting lino blocks ready to print. However, having no printing equipment currently to hand, I can only visualise what the finished products will look like when I eventually, hopefully, get back into my studio full-time next week.
There is a pretty-much nationwide Victorian legend about a character called ‘Spring Heeled Jack’, who would appear, often to courting couples, frighten them out of their wits, then leap away, often over walls and fences. He acquired his name because of his ability to leap so high with apparent ease. For many years now, I have been aware of a specifically Sheffield version of this legend, the character also being known as The Park Ghost; he would appear around the Park Hill area, particularly near the Cholera Monument which marks the site of a mass grave for victims of the Sheffield Cholera Epidemic in the 1800s.
Taking the face from an adaptation of a gargoyle, I created my own version of what Spring Heeled Jack might have looked like – the silhouette in the background being the aforementioned Cholera Monument.
This was mainly completed as an exercise in lino multi-block registration, but I am pretty pleased with the outcome. The registration isn’t perfect on all of the prints, but I managed to pull off enough copies to make it worthwhile!
Here is the completed print of Cadman Bridge, a bridge built in 1819 over the Sheffield and Tinsley Canal in Sheffield City centre, England. The bridge is on one of the streets or lanes in Sheffield bearing that name – my name. Research shows that my ancestors, the Cadmans, were mostly scissor or knife makers ie. some of the so-called ‘Little Mesters’ who populated the City many years ago, working in Sheffield steel. A couple of years ago, my band played at a wedding in the Millennium Galleries building in the City centre – it was only recently that I discovered the room we were playing in is called The Cadman Room!
The print is a reduction lino-cut, with four layers. I kept it in monochrome as I felt it better reflected the history and culture of the area – there are still small steel workshops there.
This is the second image in the “Shouting At The World” series, inspired by the gargoyles and grotesques found on many medieval churches around Britain. This particular gargoyle is from a church in Lincolnshire. I have intentionally designed the image to have a similar look to the picture cards in a deck of cards.
Still not able to get into my studio (‘Essential travel’ only rule still applies) I decided to set myself the challenge of drawing, cutting and printing an image in one day. Not only that, but decided to try my hand at a self-portrait. Having never attempted a portrait of any kind, self or otherwise, the fact that the resulting image looks vaguely human is a bonus to me! I’m told I look tired – oh well, so be it. I have gone for the negative rather than positive lines simply because of the time constraints and the difficulties of working at a small scale (15cm x 8cm) – I only have a small printing press available at home.
A project conceived some time ago, I finally got around to printing this image as a greeting card, complete with hand-cut type. The design is a lino-cut based as closely as possible on the patterns created by inking up an origami face – seen in an earlier post. I have been asked if anyone would want a card that says ‘Shout!’ but I think it is appropriate for any occasion: shout “Hurray it’s your birthday!”, shout “Congratulations on your new job”, shout “It’s a Boy!” and so on – the possibilities are endless, it just depends what message you choose to write inside.
The Machrie Moor Standing Stones on the Isle of Arran, are some of the most beautifully placed stones I have ever seen. They are at one with the landscape, their shapes echoing the surrounding hills perfectly. I have wanted to represent them in print for some time.
This piece was completed using a technique that is new to me – lino printing in a ‘jigsaw’ style of working. The original in-field sketch was painted using water colours, then transferred to soft-cut lino. I cut the block into several sections, inking them up and printing them in separate colours at the same time. This continued with further cuts being made before cutting the final outline block to tie everything together.