A Stranger Raven

This is the latest image from my series inspired by the children’s novel, “A Stranger Came Ashore” by Mollie Hunter. In this, the finale, Robbie is standing on the edge of a ‘voe’ (a bay or inlet in the Shetlands) about to be beaten by The Great Selkie when, as promised, his school teacher Yarl Corbie appears in his ‘other’ magical form as a gigantic Raven, and attacks the Selkie, gouging out his eyes and sending him off into the ocean, never to entice the young girls into his underwater palace again.

This was quite a tricky reduction print, using two blocks and a lot of fingers-crossed guesswork! I did also cut a larger (A4) version of the raven to be printed independently.

Tools of My Other Trade

Ordinarily, my job as a musician runs alongside my work as a visual artist. However, these are not ordinary times and, as such, I haven’t been able to perform with the band for almost a year now. In light of this, I decided to try and get ‘close’ to my instruments again and represent them in a lino print. This is the result – intentionally black and white and intentionally simple. I do play guitar as well but another instrument would have affected the balance of the image.

Let’s Dance

More as a diversion than anything else, I decided to redraw and cut a lino print of the logo I have used for many years for my ‘Short Supply’ musical output. I did use it on the label for the one and only 7″ single I put out in the early 1990s, called “The Day The Earth Stood Still”. We (Justin – the vocalist and myself) recorded it in Rotherham at The Powder Room studios. It features cut ups from the film of the same name and a killer chorus – haha!

Avebury Magic

For some time now, I have been wanting to make a print of the magical stones to be found at the World Heritage Site of Avebury – one of the biggest stone circles in Europe. Having tried (and failed miserably) to do a collagraph print, I settled back on a lino cut. However, this time I used sponges rather than rollers to apply the inks to give it more of a textured finish. Whilst there are undoubtedly some flaws evident, I am generally very pleased with the finished result; there is a very graphic quality to the image but that reflects my drawing style, which has always ended up with quite well-defined, thick lines, even when I try not to!

Minster Man

For the November round of the “One of Many Postcard” initiative, I decided to take the image of the Green Man that can be seen carved at the top of one of the columns inside Rotherham Minster. The original carving has the traditional vines issuing from the mouth but I wanted to isolate (and flatten) the face. The postcard version was slightly cropped to fit the card size, but here is the full, uncropped version. The background was made using sponges rather than a roller.

Sacred Oak

I’m sure I’m not alone in saying this, but if there is a positive to come out of this current pandemic, it is the fact that so many of us have reunited with nature and begun to see what we perhaps had lost sight of. Whilst I live in the (once) Industrial North of England, in the run-down town of Rotherham, I am very fortunate to live in a part of town that is surrounded by woodlands, meadows and even a very beautiful golf course. Our daily walks took us to places we weren’t even aware existed so close to us, particularly through woodlands we have since found to be ancient. There are areas covered with oak trees and it has become so obvious why the ancient people worshipped and revered the mighty oak, and why there are so many stories and legends involving tree spirits. Oak trees in particular, abound with faces and apparently human body-parts; wildly inspirational to me as an artist spending much of my time interpreting myths, legends and the struggle of the natural world to breathe within the modern, city environment.

Shouting Again

This was mainly completed as an exercise in lino multi-block registration, but I am pretty pleased with the outcome. The registration isn’t perfect on all of the prints, but I managed to pull off enough copies to make it worthwhile!

Lockdown Exhibition

Having no other place to exhibit my work during lockdown (apart from online, but that doesn’t really count) I have been displaying cards showing my Green Man design, on trees and gate-posts at various places, whilst out on our daily walks. Despite being in Rotherham, we’re very fortunate to live near fields and woodlands in Wickersley, Rotherham, so the environment is, I feel, fitting for these cards. Although there is the opportunity for feedback (I put my email address on the back) no-one has been in touch – I didn’t really think they would – but at least two of them have been taken, so they are being seen. I’ll never know whether they were taken by people wanting to own the card, or by kids trashing them but either way, they are being interacted with!

Giant Green Man

This is the final result of a project I’ve had knocking around for a few weeks now. I wanted to make a bigger version of the ‘Tin Can Green Man’ model that I made last year, and have considered buying large sheets of metal. However, on revisiting the original models, I decided it would be interesting to make my own sheet of metal from a collection of discarded drinks cans. The cans were glued together in a patchwork and folded as before. The only new element, was the addition of some metal ivy leaves that were found in my shed during a clear-out. The model is about 40cm

Shouting at The World #3

For my next image in the ‘Shouting at The World’ series, I have combined two of the gargoyles/grotesques I found on the churches in Lincolnshire, with a Sheela-na-gig found on The Church of St Mary and St David, in Kilpeck, Herefordshire. Having spent quite a lot of time working with various images of the Green Man, I felt it was time to redress the balance somewhat and feature this ancient, scared female form which can be found, in various forms, throughout the world.